Iñaki Bonillas does J.R.Plaza

11 Apr 2012

DiarioWhat to do when you inherit thirty full albums of photos, 800 slides, and a leather folder full of old documents from your recently deceased grandfather? Well if you’re an already well established Mexican artist like Iñaki Bonillas, then you open an exhibition to showcase these familial artefacts to the world on Barcelona’s famous Las Ramblas boulevard.

The Palau de la Virreina, with its eighteenth century baroque edifice, is itself a spectacular building which Bonillas has manipulated artfully, his perception of space impeccable. The viewer strolls into one minimalist room, confronted by intimidating blank walls disclosing the sombre account of his grandfather’s unfulfilled youthful dreams. Bonillas brutally exposes his forebear’s idealistic wish to emulate John Wayne by framing each individual page of a tormented 74 page typewritten diary. The diary documents the pain of a young man who discovers that the task of uprooting from Mexico in order to become a cowboy in the American Mid-West is far more arduous than he had imagined. The long journey from Mexico to the US, and the painful admission that he had a longing for his homeland immediately after leaving. Bonillas presents these entries with shocking frankness which is compounded by the room’s emptiness, a real expression of the low point his grandfather hits.

The hint of bitterness in the life of J. R Plaza had already been evinced by the gruesome dark holes in some of the earlier family photographs. Betrayed by a friend – we are not given a clue as to what form this betrayal takes but the affect it had on Plaza is clear - the absence of this friend was such that it led him to take the time to cover the estranged friend in black marker in each and every photo in which he appeared. Such holes have the effect of eroding the photograph’s inner joy, a successful attempt alter time that had previously been distilled which leaves the viewer rather disconcerted.

Cibacromos DSC00230-001

Life is not lived without these emotions at one time or another, but the humanity would not be complete without joy. We leave the frustrated dreams and broken friendships behind to be confronted with the warmth and glory of a horde of pictures of familial love. The scale of colour and light rising up, Bonillas uses three of the four twelve foot high walls, gives a sense of disorientation. It could be a Cathedral were it not for the bright white light perfectly contrasting the building’s antiquity with the present day – the pictures represent the bridge in between the two, as there is only so much bright lights can do to disguise their age.

Though these displays ostensibly deal with their protagonist, it is obvious that Bonillas’ key theme is in fact that of biography - not his grandfather, but how his grandfather chooses to portray himself. In essence this exhibition is the biography of a photographic autobiography, a modern take on the depiction of ones life, forsaking text for the photograph - reflecting today’s eminence of images as the primary means of communication.

Palau de la Virreina
La Rambla, 99
08002 Barcelona
www.virreina.bcn.cat
Open Tuesday – Sunday, 12 noon to 8pm. Until 6th May.

DSC00227

Spread The Love

 
 

 

Follow Me on Pinterest

Audio Solutions Ad

  • Latest Articles
  • Most Read
  • Activity